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MAKING Writing

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Here’s the short story, as most people I’m familiar with tend to tell it: Design thinking emerged from failed attempts to create innovative products and bring them to market. Traditional models for getting this sort of thing done suffered from a few serious flaws, so the people who cared about getting things right started making some significant shifts in practice. For instance, rather than inventing things they assumed would be useful and reacting to sales and…

When I wrote Make Writing in 2015, I’d just finished a lengthy action research project that focused on engagement in the writing workshops that I led. That project began long before the maker movement took the education world by storm, but by the time I was culminating the findings, the connection was clear: inviting kids to make in workshop was a powerful game changer. More than mere distraction or a path away from the writing process,…

I’ve spent much of the summer working with teachers who are eager to integrate making and writing but uncertain where to begin. This is what I tell them:  I tell them that making must elevate writing, otherwise it will merely replace it. And writing matters. I tell them that we need frameworks that help us see how making and writing can connect inside of our classrooms and workshops. Making writing looks like play, but it’s purposeful.…

Like many educators, I reserve July for relaxing, reading, and research that will fuel my learning and work throughout the new year. And like many educators, August turns my attention back to the teachers and students that I support. It’s been a good break, but I’m happy to be blogging again and eager to share some exciting news! First, I’ve signed two new Hack Learning author agreements with Mark Barnes, and I’m hard at work on each manuscript. The…

This post is the third in my organizational story writing series. In the first post, I defined the form and shared ten reasons why organizational story writing matters.  Then, I introduced a current client, Jackie James Creedon, in my second post. Here, I included the interest survey that I ask most clients to complete ahead of our work as well as the approach and tools that I use when conducting my initial listening session. These first meetings…

In Make Writing, I share the three layer design process that I’ve used each time I’ve set up my own makerspaces or helped school districts develop their own: First we establish the substructure of the space, which is prepared before we open the doors of the space. Then, we assess the needs and interests of the makers we serve during the start-up phase, which begins when the kids walk in the door. As individual writers begin to…

“What’s a break it box?” Kevin asked, calling my attention to an overflowing black bin on the bottom shelf of our mobile makerspace. This five tier structure on wheels serves as a catch-all for recyclables, loose parts, and whatever craft supplies we currently have on hand. “It’s a box full of stuff you can rip apart and repurpose,” I told him. “People donate the things inside. I think there’s an old toaster and a broken…

Integrating making and writing experiences may not seem very difficult, but in my experience, making this marriage worthwhile requires some careful planning. It takes nothing to dump a pile of loose parts on a table and challenge kids to build, but I wonder: How many of them would build straight through an entire class without pausing to compose a single line, though? Those who are responsible for teaching writing are wise to consider this reality. Many…

When Writers Make Integrating making with writing at the WNY Young Writers’ Studio has completely transformed our learning and work. Whether we’re writing about the things that we make or making our way around writer’s block, each time kids put down their pens and back away from their devices long enough to build, unexpected and incredibly rewarding things happen. For instance, those who claim to hate writing often find promising pathways toward it. When kids…

“What is this?” Ava asked, pulling a fuzzy bit of string out of the tray that greeted the writers at her table. “I’m not sure,” I replied, teasing her a bit. “What could it be?” She considered this carefully, tilting her head a bit and pushing her glasses up with one finger. A tiny smile played across her lips. “I’ll bet we get to invent things with all of this stuff,” she guessed, scampering back…