My interest in loose parts play evolved out of the discoveries I was making through my own action research in the years prior to the release of my first little book, Make Writing. You can read more about that work by visiting any of these posts if you’re interested. These are a few that I find particularly revealing, as a reflective practitioner: Writing Ideas at Play (2010) Research and Writing in Kindergarten (a series) (2011)…
Hey–happy Friday! How was your week? Mine was productive. Very productive. And productive feels so much better than just about anything else right now. I just wrapped my first week as an Instructional Designer at Daemen College, and I am loving it. I mean, talk about serendipity. There may be no better definition of just-in-time professional learning right about now. I’ll try to pay as much of it forward as I can. My first recommendation?…
“Because she laughs so much, and when she laughs, it’s like music,” she explained when I asked her why she’d built a series of music notes to represent her grandmother. Fifth graders were developing characters for their personal narratives in that day’s writing workshop. “What kind of music?” I wondered aloud. “Gospel,” she said, without hesitation. “Her laughter is big and loud and rockin’. It makes everyone stop and listen. Yeah, it’s definitely gospel.” I…
Two weeks ago, I invited writing teachers far and wide to share their biggest workshop dilemmas with me! Okay, if I’m being honest, I asked a bunch of people who recently read Make Writing to share their biggest workshop dilemmas with me. BUT! They did not disappoint! I also think that their responses will leave some of you nodding your weary heads. “My mini-lessons go too long,” many told me. “My feedback is mess,”…
“I develop theories based on lived experiences, not existing theories.” Dr. Brene Brown Traditional researchers and documentarians deepen their learning by exploring the theories shared by the giants who came before them. They study professional literature, seeking best practices that they might test in order to meet their students’ needs. Then, they confirm or deny their viability. Often, the results are anything but unexpected. Grounded theory is different. When teachers position themselves as grounded…
I’d never heard of a coulee before I visited Monica Huebner’s classroom on my recent trip to Eric Harvie School in Calgary. “They’re a kind of land formation,” she told me, and I found myself struggling to process this. I’d just spent the better part of a week exploring Banff National Park, the Canadian Badlands, and the prairies in between with my husband, who joined me on this particular trip. Alberta’s quickly shifting landscapes–from snow-covered…
My visit to Reggio reminded me that learning is a social construct. It’s not an accumulation of knowledge, but a construction of meaning that emerges from learners’ interpretation of the world. Materials matter, which is why several of my previous posts in this series focused on their thoughtful use. As I listened and learned more throughout my tour, it was increasingly evident that the way we construct the learning environment matters as well. In fact, it…
This is the third in a series of reflections made upon my return from a study tour of Reggio Emilia schools. You may find the other posts here, as I complete them. Print is one language, but there are so many others, and when we offer children the option to learn and communicate with them, the understandings and theories they share expand far beyond the boundaries that print creates. And it does. I can’t tell…
This post is the second in a set of reflections upon returning from a study tour of Reggio Emilia schools. I’m linking all of the posts to this anchor page as they are published. My tour of the Loris Malaguzzi Center and Reggio Emilia schools included the investigation of dozens of diverse ateliers, or studios. Many were outfitted with the kinds of loose parts I’ve grown accustomed to seeing and working with in my own…
This was one of the first provocations that emerged from our morning conversations at the Loris Malaguzzi Center on that very first day in Reggio Emilia: How might we help learners create compositions that depend less on the hand and more on the power of conceptual understanding? Composition: The word and how they used it struck me. Like so many others, it assumed a richer and far more complex meaning in that space. I know…