Austin Kleon, author of Steal Like an Artist, tells us that, “Nothing comes from nowhere. All creative work builds on what came before. Nothing is completely original. Some people find this idea depressing, but it fills me with hope. As the French writer Andre Gide put it, ‘Everything that needs to be said has already been said. But, since no one was listening, everything must be said again.’” He reminds us that, “If we’re free…
Some of the best learning I enjoy emerges from my study of writers at play. In 1932, Mildred B. Parten was the first to distinguish one form of play from another, making a contribution to the field of education that has sustained the test of time. My awareness of these classifications often prompts me to consider the relationship between play and the development of writers. Many similarities appear to exist. Take a peek at the…
Austin Kleon’s books have had a huge influence on Studio writers of all ages…whether they know it or not. In Steal Like an Artist, he validates everything I’ve ever said to parents who worry when their kids begin writing fan fiction. “My daughter just ripped off J.K. Rowling,” a concerned mother will tell me, and I’ll find myself pulling on some version of Kleon’s words in response. Nothing is original, he reminds us. Everything is…
Many say that the mini-lesson is the heart of writer’s workshop. I’ve always felt that reflection is equally important, though. Perhaps more so. Coaching writers to reflect is tough stuff, but I find that when I prompt writers well and provide them the time to do so, they discover very important things about themselves, their needs, and how we can work together to meet them. They also identify their strengths, and this helps me position…
This chart often takes center stage in the primary classrooms I coach in. Drawing is writing at any level, but this is especially true in pre K-2 classrooms. Each point on this anchor chart is a critical mini-lesson, and I don’t typically teach them all at once. The chart is typically built over time, as teachers define and model these strategies for very new and inexperienced writers. I’ve learned that using shapes helps little writers…
I designed this document yesterday for intermediate level teachers who are leading their students through a narrative writing unit. It includes the best of what we all know about adding great detail to this particular type of writing, and it was inspired by another document that always fabulous Amy Ludwig Vanderwater designed specifically for teachers. This is a kid-friendly version, and it includes guidance, slices of mentor text, and prompts to support young writers. Once…