It’s launch time in most of the schools that I support. Teachers are welcoming writers into new spaces, establishing routines, and filling their hearts and minds with renewed promise: This year, we will become writers. We’re always becoming, aren’t we? We’re always beginning again. This year, I’m celebrating twenty five years of launching writing workshop. Of course, twenty five years ago, no one was using the word launch to describe the beginning of a new…
Earlier this month, I began sharing the four ways I notice making enriching writing in the workshops that I facilitate and coach in. In my work, that’s what I’m constantly watching for and trying to inspire–making that enriches writing and moves writers forward rather than tempting them to evade the process entirely. This is why I love fire starters: Creative constraints that I bundle together and light at the start of each session. Each fire…
I’ve just returned home from an incredible week with writers and teachers from Chappaqua Central School District. They hosted a Make Writing Pop-Up event that brought all of us into a shared community. Kids wrote from 8:30 until noon, teachers engaged in lesson study around and among them, and we reserved the afternoon for professional conversations and learning. I left with a spinning head, a full heart, and a reminder of this simple truth: It’s one…
On Tuesday, I shared a visual intended to help teachers conceptualize the whole of a writing workshop year before sharing a unit framework that middle level teachers might use to investigate social justice beside their students. Today, I’d like to show you the dashboard behind this kind of unit design. Those who have worked with me inside of writing workshops and studios are sometimes surprised to learn that I’m a fan of standards and other clear…
It was empathy that drew me to design thinking. The notion that creative people might best begin their work by seeking to understand the needs of their audiences was compelling. And it got me thinking, once again: Why aren’t all young writers creating real stuff for real audiences about things that really matter? Some are, I know. Too many aren’t though, and I can’t help but wonder if the way we introduce the writing process…
Here’s the short story, as most people I’m familiar with tend to tell it: Design thinking emerged from failed attempts to create innovative products and bring them to market. Traditional models for getting this sort of thing done suffered from a few serious flaws, so the people who cared about getting things right started making some significant shifts in practice. For instance, rather than inventing things they assumed would be useful and reacting to sales and…
I’ve spent much of the summer working with teachers who are eager to integrate making and writing but uncertain where to begin. This is what I tell them: I tell them that making must elevate writing, otherwise it will merely replace it. And writing matters. I tell them that we need frameworks that help us see how making and writing can connect inside of our classrooms and workshops. Making writing looks like play, but it’s purposeful.…
In Make Writing, I share the three layer design process that I’ve used each time I’ve set up my own makerspaces or helped school districts develop their own: First we establish the substructure of the space, which is prepared before we open the doors of the space. Then, we assess the needs and interests of the makers we serve during the start-up phase, which begins when the kids walk in the door. As individual writers begin to…
Integrating making and writing experiences may not seem very difficult, but in my experience, making this marriage worthwhile requires some careful planning. It takes nothing to dump a pile of loose parts on a table and challenge kids to build, but I wonder: How many of them would build straight through an entire class without pausing to compose a single line, though? Those who are responsible for teaching writing are wise to consider this reality. Many…
In my work with teachers, and in our fellowship programs at the WNY Young Writer’s Studio, I become closely acquainted with kids who absolutely hate writing. What’s worse is that they believe they aren’t capable of it. Why? Well, mostly because they are unable to sit silently before a screen or page and push words out of the end of their fingers in a coherent fashion until every inch of white space is covered in…