This post is the fourth in a series on organizational story writing: The first post defined why organizational story writing matters. The second included the interest survey and listening session protocol that I use with new clients during the pre-writing phase of the work. My third post framed story writing as a learning opportunity that can inspire improved leadership and organizational growth. Each of these posts includes links out to other helpful resources and tools…
This post is the third in my organizational story writing series. In the first post, I defined the form and shared ten reasons why organizational story writing matters. Then, I introduced a current client, Jackie James Creedon, in my second post. Here, I included the interest survey that I ask most clients to complete ahead of our work as well as the approach and tools that I use when conducting my initial listening session. These first meetings…
Jackie James Creedon shares a map of future soil testing sites in western New York State. Jackie James Creedon is the founder of Citizens Science Community Resources, an organization that is committed to promoting science-based activism and empowering grass-roots environmental justice and health campaigns. In 2014, Jackie received an award from the Environmental Protection Agency for her courageous efforts to lead an investigation in our community that took down Tonawanda Coke, a local factory…
More and more often, I’m invited to work not only with school districts, but with other organizations that are interested in telling their stories. Stories matter. They center us. They propel us forward. They change the trajectories of our work and our lives and the lives of the people we serve. They’re bigger than branding, and they’re far more than marketing tools. That’s why it’s important to value the story writing process as much as…
I’ve spent a good portion of this year helping teachers unpack and design some pretty powerful writing experiences around this particular standard. I’ll admit that it’s my favorite. Sure, research and information writing teach us about the world, and stories help us learn how to live in it. Poets accomplish both of those things and more, but this is the standard that challenges young people to distinguish fact from fallacy and evidence from high emotion. This is…
This spring, I had the opportunity to work with teachers from southern Erie and Cattaraugus Counties. Our initial sessions challenged teachers to define writers’ craft, the process, and the values and habits of masterful writers. Then, we considered how the progression of these skills and dispositions builds and evolves as experience is gained. Teachers returned to their classrooms with new ideas to consider and test. As I prepared to see them again last week, I hoped that…
Guess what? I wrote a book! That’s right: Make Writing: 5 Teaching Strategies that Turn Writers Workshop into a Maker Space debuted Friday and quickly became an Amazon Best Seller. A big thank you to everyone at the WNY Young Writers Studio for being an important part of this project, and hats off to editor Ruth Arseneault, cover designer Tracey Henterly, and interior designer Steven Plummer for their careful attention and incredible work. I’m grateful to Mark Barnes…
Primary teachers know that drawing is writing and that even our littlest writers have wonderful and very important stories to tell and opinions to share. It’s important to mention that the anchor chart below, which I’ve shared before, is one that is typically constructed one lesson at a time, over the course of days or even weeks. How fast you move depends on the needs of your writers and the time available for instruction. This…
Here’s a snapshot of the grid that some writers plan with at the WNY Young Writer’s Studio. And here’s another of a bulletin board near it, which provides new writers very basic approaches to try as they get acquainted with making writing in this way. These aren’t my ideas. Studio writers shared most of them. And here’s something that’s hard to portray in those photos or in sketchbook shots: the MOVEMENT of the sticky notes.…
Adult writers are often judged by their abilities to sell their work to the masses. In most schools, children are taught to pursue high grades. Both groups are conditioned to value the product they create over the processes they pursue, and while one can certainly understand how this reasoning is influenced by reality, it’s also significantly flawed. I’m thinking of two writers that I used to work with closely: one seemed to write at the…