This post is the third in my organizational story writing series. In the first post, I defined the form and shared ten reasons why organizational story writing matters. Then, I introduced a current client, Jackie James Creedon, in my second post. Here, I included the interest survey that I ask most clients to complete ahead of our work as well as the approach and tools that I use when conducting my initial listening session. These first meetings…
Jackie James Creedon shares a map of future soil testing sites in western New York State. Jackie James Creedon is the founder of Citizens Science Community Resources, an organization that is committed to promoting science-based activism and empowering grass-roots environmental justice and health campaigns. In 2014, Jackie received an award from the Environmental Protection Agency for her courageous efforts to lead an investigation in our community that took down Tonawanda Coke, a local factory…
More and more often, I’m invited to work not only with school districts, but with other organizations that are interested in telling their stories. Stories matter. They center us. They propel us forward. They change the trajectories of our work and our lives and the lives of the people we serve. They’re bigger than branding, and they’re far more than marketing tools. That’s why it’s important to value the story writing process as much as…
Recently, several colleagues asked me to begin a professional writing support group. If you are eager to begin blogging, publishing articles, or drafting a manuscript, you are welcome to join us. If you have any of these things in the works and are in need of good company, you are welcome to join us. And if you can’t attend face to face but would still like to be a part of things, you may still plan to join…
In Make Writing, I share the three layer design process that I’ve used each time I’ve set up my own makerspaces or helped school districts develop their own: First we establish the substructure of the space, which is prepared before we open the doors of the space. Then, we assess the needs and interests of the makers we serve during the start-up phase, which begins when the kids walk in the door. As individual writers begin to…
“What’s a break it box?” Kevin asked, calling my attention to an overflowing black bin on the bottom shelf of our mobile makerspace. This five tier structure on wheels serves as a catch-all for recyclables, loose parts, and whatever craft supplies we currently have on hand. “It’s a box full of stuff you can rip apart and repurpose,” I told him. “People donate the things inside. I think there’s an old toaster and a broken…
I’ve spent a good portion of this year helping teachers unpack and design some pretty powerful writing experiences around this particular standard. I’ll admit that it’s my favorite. Sure, research and information writing teach us about the world, and stories help us learn how to live in it. Poets accomplish both of those things and more, but this is the standard that challenges young people to distinguish fact from fallacy and evidence from high emotion. This is…
Integrating making and writing experiences may not seem very difficult, but in my experience, making this marriage worthwhile requires some careful planning. It takes nothing to dump a pile of loose parts on a table and challenge kids to build, but I wonder: How many of them would build straight through an entire class without pausing to compose a single line, though? Those who are responsible for teaching writing are wise to consider this reality. Many…
When Writers Make Integrating making with writing at the WNY Young Writers’ Studio has completely transformed our learning and work. Whether we’re writing about the things that we make or making our way around writer’s block, each time kids put down their pens and back away from their devices long enough to build, unexpected and incredibly rewarding things happen. For instance, those who claim to hate writing often find promising pathways toward it. When kids…
“What is this?” Ava asked, pulling a fuzzy bit of string out of the tray that greeted the writers at her table. “I’m not sure,” I replied, teasing her a bit. “What could it be?” She considered this carefully, tilting her head a bit and pushing her glasses up with one finger. A tiny smile played across her lips. “I’ll bet we get to invent things with all of this stuff,” she guessed, scampering back…